Tara Pandeya is a second-age artist, educator and choreographer of Eastern and Western legacy. She is a global performing craftsman who is committed to the conservation and advancement of dance from the Silk Street locale of Focal Asia. She spends significant time in dance from the areas of Afghanistan, Uzbekistan, Tajikistan, East Turkestan, Iran, Kurdistan and Azerbaijan.
As the little girl of an expert artist and expressions instructor Tara was presented to conventional dance and music since outset. From youth Tara prepared in various styles including Traditional South and North Indian, customary Center Eastern, Focal Asian and ethno-contemporary dance. Tara started performing very early in life and was reliably the most youthful performing individual from every one of the organizations she joined including: Bea's Knees, Aywah!, Kalanjali and Expressive dance Afsaneh, of which she was a part for quite some time. She is an ongoing individual from Wan Chao Chang Dance Organization and understudy of Kathak craftsman Antonia Minnecola (a devotee of Sitara Devi).
She has finished dance residencies in Uzbekistan, Tajikistan and Uyghur Independent Xinjiang, China otherwise called Chinese Turkestan. Tara likewise directed anthropological dance research in these locales both through the 'Tajik Dance Drive' and freely with dance researchers and conventional craftsmen in the field.
She has voyaged and concentrated on in India, the Center East, North Africa, Focal Asia and Europe. She holds an Arabic language endorsement from Alif College in Fez, Morocco as well as through the College of California, Berkeley. Tara is likewise a CTSEOL (English as a Subsequent Language) Guaranteed Educator from the Transworld School of San Francisco. She accepted her pilates educator preparing in New York City at Ellie Herman Studio and is presently finishing her certificate by showing pilates classes to gymnastic performers and staff individuals on visit with Cirque du Soleil.
Tara holds a Lone rangers degree in Human Sciences with a minor in Arabic from Holy person Mary's School Jump (Liberal Training for Expressions Experts) Program. Following her craftsman in residency in Tajikistan, Tara thought of her proposition paper on Tajik way of life as it connects with conventional performing expressions. Going with her proposition, Tara made a one-hour dance narrative ordered from film caught while in the Pamir Mountains.
Tara has arranged performance functions as well as various gathering pieces as a visitor choreographer for a few dance organizations including Expressive dance Afsaneh, The Presidio Performing Expressions Establishment, Shahrazad Dance organization, Danceversity and the Tajik based dance organization Padida Theater. Most as of late, she debuted her performance piece 'Finding Center' under mentorship with ace craftsman Charya Burt and upheld by the Toll partnership at the Margaret Jenkin's Dance Lab in November 2010.
As an artist, she is popular being highlighted as a soloist both in the U.S. furthermore, universally. Tara has acquired merit for her creative work from the California Expressions Committee, The Partnership for Customary Expressions, the Margaret Jenkin's Toll Movement cooperation, the Isadora Duncan Dance Grants and the Marin Expressions Gathering.
Tara likewise works in the Sound Region state funded school locale for K-Secondary School as an expressions teacher instructing 'Topography of the Silk Street investigated through Dance' in organization with artistic expressions training programs Youth In Expressions and Youthful Minds.
As the little girl of an expert artist and expressions instructor Tara was presented to conventional dance and music since outset. From youth Tara prepared in various styles including Traditional South and North Indian, customary Center Eastern, Focal Asian and ethno-contemporary dance. Tara started performing very early in life and was reliably the most youthful performing individual from every one of the organizations she joined including: Bea's Knees, Aywah!, Kalanjali and Expressive dance Afsaneh, of which she was a part for quite some time. She is an ongoing individual from Wan Chao Chang Dance Organization and understudy of Kathak craftsman Antonia Minnecola (a devotee of Sitara Devi).
She has finished dance residencies in Uzbekistan, Tajikistan and Uyghur Independent Xinjiang, China otherwise called Chinese Turkestan. Tara likewise directed anthropological dance research in these locales both through the 'Tajik Dance Drive' and freely with dance researchers and conventional craftsmen in the field.
She has voyaged and concentrated on in India, the Center East, North Africa, Focal Asia and Europe. She holds an Arabic language endorsement from Alif College in Fez, Morocco as well as through the College of California, Berkeley. Tara is likewise a CTSEOL (English as a Subsequent Language) Guaranteed Educator from the Transworld School of San Francisco. She accepted her pilates educator preparing in New York City at Ellie Herman Studio and is presently finishing her certificate by showing pilates classes to gymnastic performers and staff individuals on visit with Cirque du Soleil.
Tara holds a Lone rangers degree in Human Sciences with a minor in Arabic from Holy person Mary's School Jump (Liberal Training for Expressions Experts) Program. Following her craftsman in residency in Tajikistan, Tara thought of her proposition paper on Tajik way of life as it connects with conventional performing expressions. Going with her proposition, Tara made a one-hour dance narrative ordered from film caught while in the Pamir Mountains.
Tara has arranged performance functions as well as various gathering pieces as a visitor choreographer for a few dance organizations including Expressive dance Afsaneh, The Presidio Performing Expressions Establishment, Shahrazad Dance organization, Danceversity and the Tajik based dance organization Padida Theater. Most as of late, she debuted her performance piece 'Finding Center' under mentorship with ace craftsman Charya Burt and upheld by the Toll partnership at the Margaret Jenkin's Dance Lab in November 2010.
As an artist, she is popular being highlighted as a soloist both in the U.S. furthermore, universally. Tara has acquired merit for her creative work from the California Expressions Committee, The Partnership for Customary Expressions, the Margaret Jenkin's Toll Movement cooperation, the Isadora Duncan Dance Grants and the Marin Expressions Gathering.
Tara likewise works in the Sound Region state funded school locale for K-Secondary School as an expressions teacher instructing 'Topography of the Silk Street investigated through Dance' in organization with artistic expressions training programs Youth In Expressions and Youthful Minds.
